Logic dictates that it should work, but the game says otherwise, and since you're given no clue as to whether the item you have in mind is even possible, there's a lot of guesswork involved.īut then this isn't a game that offers any guidance. I even tried combining them with a lighter to see if I could melt the brush and stick the blade that way. I had a razor blade, I had a toothbrush, and I also had various other items. One of the most infamous prison weapons is a razor blade stuck to a toothbrush, but I spent hours trying to work out if such a creation was even possible in The Escapists. While it's a rare pleasure to find a game that lets you work this stuff out for yourself, the result isn't always logical. What could you do with a dice or toothpaste? A bar of soap in a sock is one of the more obvious examples, so much better than a fist for dealing with physical confrontations, but there are items that will have you scratching your head as you try to work out how they might prove useful. Others can be combined to create makeshift weapons or tools.
Some are marketable contraband that you can sell or trade for more useful gear. There are dozens of items to find, steal and smuggle. There's a commendable amount of depth here, and the longer you spend poking around in its world the more you'll discover you can do. In case the parallels weren't clear enough, you can even rename the guards and inmates before play, just as Microsphere's educational romp allowed you to personalise the bully, the swot and the headmaster.ĭon't think that The Escapists is a mere nostalgic confection, though. The Escapists has much the same structure, albeit with guards instead of teachers, hard labour instead of science lessons and solitary confinement instead of lines. Indeed, school is not a bad analogy, since it seems pretty clear that somebody at Mouldy Toof is a big fan of the ZX Spectrum classic Skool Daze. The laundry room makes it easy to swipe uniforms, while the workshop is a crafter's paradise. Different prison jobs offer different opportunities. You get that tingle in your belly that you got at school when you were roaming the corridors while everyone else was in classrooms. Where's the thrill in doing what you want, if everything is open to you? When you break the routine in The Escapists, it's a genuine thrill. It's this claustrophobia which makes the sandbox sing.
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There are a couple of blocks of free time during which you're left to your own devices, but even then the places where you can and can't go are firmly policed. You're expected to work at one of several jobs during the day, while exercise and showers are mandatory.
There's morning roll call, then breakfast. How you do that is up to you, but you must confine your plots and plans within a rigid daily schedule designed to keep you in line. You're banged up and, as per the title, your goal is to break out.
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